4.11.2025

"Venice Film Festival 2025: Highlights and Insights"

The 82nd Venice Film Festival may be over, but the conversations on the films that premiered, the things people said, the clothes they wore, and how it affects the Oscar race are still going

The 82nd Venice Film Festival has concluded, yet discussions surrounding the films premiered, statements made, and fashion choices continue to flourish, intertwining with expectations for the upcoming Oscar race.

This year's festival was marked by significant highlights, with Jim Jarmusch's understated film, Father Mother Sister Brother, securing the esteemed Golden Lion award—much to the surprise of those who anticipated the honor would go to The Voice of Hind Rajab, which clinched the runner-up award instead. In addition to Jarmusch's win, Benny Safdie took home the Best Director award for his film, The Smashing Machine.

Hollywood productions faced a setback in terms of recognition, with awards favoring a broader, internationally diverse assortment of films. Notable winners included Chinese actress Xin Zhilei, who received the Best Actress award for her role in The Sun Rises on Us All, while esteemed Italian actor Toni Servillo was awarded Best Actor for his performance in La Grazia. The Marcello Mastroianni Award for up-and-coming talents went to Swiss actress Luna Wedler for her role in Silent Friend.

While the festival’s awards offered limited insights into potential Oscar contenders, Venice has historically been a launchpad for best actor campaigns. Dwayne Johnson stands out as a likely candidate for his portrayal as MMA fighter Mark Kerr in The Smashing Machine. Furthermore, Emma Stone and Jesse Plemons showcased compelling performances in Yorgos Lanthimos's provocative film, Bugonia, while Julia Roberts flexed her acting skills as a Yale philosophy professor navigating a misconduct accusation in After the Hunt.

The festival also witnessed unexpected celebrity appearances; Seth Rogen made notable appearances across various red carpets and events, prompting speculation about his involvement in current or future projects related to the festival.

In an amusing anecdote, Amanda Seyfried expressed on Julia Roberts' Instagram her desire to wear a specific outfit, which led to Seyfried donning the same Versace ensemble a few days later, further highlighting the intersection of fashion and celebrity during the festival.

Significantly, this year's festival saw a record 22-minute standing ovation for The Voice of Hind Rajab, surpassing the previous year’s record of 18 minutes. Other films also garnered applause, with After the Hunt receiving approximately five minutes and Frankenstein achieving a 14-minute standing ovation.

While the Venice Film Festival refrains from taking direct political stances, numerous films grappled with pressing global issues, including the ongoing Israel-Hamas conflict. Renowned filmmaker Kathryn Bigelow delivered a sobering warning regarding nuclear weapons in her film A House of Dynamite, while Tunisian filmmaker Kaouther Ben Hania explored the human toll in Gaza with The Voice of Hind Rajab. Additionally, Olivier Assayas’s film The Wizard of the Kremlin examined Vladimir Putin’s rise to power.

Off-screen, the events surrounding Gaza also ignited significant conversations, with protests drawing around 10,000 individuals voicing their concerns.

Throughout the festival, poignant quotes emerged from various figures. Jacob Elordi remarked, “The real monsters are the men in suits,” reflecting on his role in Frankenstein. Dwayne Johnson shared his thoughts on career transformation, while Jim Jarmusch critiqued corporate influences in cinema. Filmmakers like Kathryn Bigelow and Yorgos Lanthimos raised critical questions about humanity’s path forward amidst dire global challenges.

For further detailed coverage of the Venice Film Festival, visit the official AP News hub dedicated to the event: https://apnews.com/hub/venice-film-festival.

Lindsey Bahr, The Associated Press